- Do you repent you then And hopeful featur'd. Ha! by heaven you weep confess The Lie. GERSA. Lie! - but begone all ceremonious points Of honor battailous. I could not turn My wrath against thee for the orbed world. LUDOLPH. Your wrath weak boy? Tremble at mine unless that Erminia Thou mak'st me boil as hot as thou canst flame! And in thy teeth I give thee back the lie! LUDOLPH. Look! look at this bright sword There is no part of it to the very hilt But shall indulge itself about thine heart Draw but remember thou must cower thy plumes, As yesterday the Arab made thee stoop ΠΙΟ (95-6) In the manuscript, your stands cancelled for that; and there is the rejected reading, Not done its judgment on thee? (99) The manuscript reads To no secret instead of It is no secret, for which I presume Lord Houghton had other manuscript authority. (103) The manuscript has fresh instead of last new, so as to make Erminia scan as four full syllables. GERSA. Patience not here, I would not spill thy blood Stay, stay, here is one I have half a word with When anxiously I hasten'd back, your grieving messenger, The other cursing low, whose voice I knew 120 For the duke Conrad's. Close I follow'd them Thy life answers the truth! LUDOLPH. 125 (116) Lord Houghton reads What wouldst say? in place of Good fellow/ The second fragment of the manuscript ends with line 117. No, no, no. My senses are Still whole. I have surviv'd. My arm is strong My appetite sharp-for revenge! I'll no sharer And so is my revenge, my lawful chattels! Terrier, ferret them out! Burn- burn the witch! 135 140 [Exeunt. Who never shook before. There's moody death To pray thee far away. Conrad, go, go- CONRAD. Aye, and the man. AURANTHE. Yes, he is there. Go, go no blood, no blood, go gentle Conrad ! Farewell! CONRAD. AURANTHE. 5 Farewell, for this Heaven pardon you. 10 [Exit AURANTHE. The third fragment of the manuscript begins with the opening of the fifth act; and the greater part of the act is preserved. This is so far fortunate, in that Brown attributes this act to the unprompted imagination of Keats. He seems to have taken great pains with this part of the work, as there is evidence indicating that a good deal must have been wholly re-written before the version given among the Literary Remains was arrived at. That version is of course adopted in the main here; but I have accommodated some minor details to the manuscript. (1-2) There is a cancelled reading here you are A plague-spot in the midst of miseries. (8) The manuscript reads Aye and a Man. (10-12) The word then is cancelled after Farewell, and Conrad's final speech begins thus in the manuscript If he escape me may I die the death Of unimagined tortures... CONRAD. If he survive one hour, then may I die In unimagined tortures - or breathe through Enter LUDOLPH and PAGE. LUDOLPH. Miss'd the way, boy, say not that on your peril! PAGE. Indeed, indeed I cannot trace them further. LUDOLPH. Must I stop here? Here solitary die? (18-32) This passage as printed does not stand in the fragment of manuscript at all; but the corresponding draft of this and what is now the opening of the next scene stands crossed out after various minute amendments; and the final version was probably written upon the back of some leaf of the manuscript not now forthcoming. Here is the rejected version: Ludolph. What here! here solitary must I die Albert! here is hope! [Enter ALBERT Wounded. starts up] Glorious illuminate clamour yet; Thrice villainous Tell me where that detested woman is |