On Mars his armour, forg'd for proof eterne, Out, out, thou ftrumpet fortune! all you Gods, Break all the fpokes and fellies from her wheel, Pol. This is too long. Ham, It fhall to th' barber's with your beard.. Pr'ythee, fay on; he's for a jigg, or a tale of bawdry, or he fleeps. Say on, come to Hec.br. [Queen,1 Play. But who, oh! who, had feen the mobled Ham. The mobled Queen? Pol. That's good; mobled Queen, is good. 1 Play. Run bare-foot up and down, threatning the flames With biffon rheum; a clout upon that head, A blanket in th' alarm of fear caught up :. Pl. Look, whe're he has not turn'd his colour, and has tears in's eyes. Pr'ythee, no more. Ham. 'Tis well. I'll have thee speak out the rest of this foon. Good my Lord, will you fee the players well bestow'd? Do ye hear, let them be well us'd; for they are the abstract, and brief chroniclers of the time. After your death, you were better have a bad epitaph, than their ill while you report liv'd. Pol. My Lord, I will use them according to their. defert, H&m.. Ham. God's bodikins, man, much better. Ufe every man after his defert, and who fhall 'fcape whipping? use them after your own honour and dignity. The lefs they deserve, the more merit is in your bounty. them in. Pol. Come, Sirs. Take [Exit Polonius. Ham. Follow him, friends: we'll have a play tomorrow. Doft thou hear me, old friend, can you play the murder of Gonzago? Play. Ay, my Lord. Ham. We'll ha't to-morrow-night. You could, for a need, ftudy a fpeech of fome dozen or fixteen lines,. which I would fet down, and infert in't? could ye not? Play. Ay, my Lord, Ham. Very well.. Follow that Lord, and, look, you, mock him not.. My good friends, I'll leave you 'till night, you are welcome to E'finoor, Rof. Good my Lord.. Manet Hamlet. am alone. Ham. Ay, fo, God b'w'ye now I [Exeunt. A broken voice, and his whole function fuiting,. What's Hecuba to him, or he to Hecuba, That he should weep for her? what would he do, -Yet I,, A dull and muddy-mettled rafcal, peak, And ་ And can fay nothing.no, not for a King, A damn'd defeat was made. Am I a coward ? ·(32) A cullion,-fy upon't! foh!-about, my brain! For murder, though it have no tongue, will speak (32) And fall a curfing like a very drab A ftallion.- -] But why a fallion? The two old folio's have it, a fcullion but that too is wrong. I am perfuaded, Shakespeare wrote as I have reform'd the text, a cullion, i. e. a ftupid, heartless, fainthearted, white-liver'd fellow; one good for nothing, but curfing and talking big. So, in King Lear; I'll make a fop o'th' moonshine of you; you whorfon, cullionly, barbermonger, draw. 2 Henry VI. Away, bafe cullions !~ -Suffolk, let 'em go. The word is of Italian extraction, from coglione; which, in its metaphorical fignification, (as La Crufca defines it) dicefi ancor coglione per ingiuria in fenfo di balordo,- -is faid by way of reproach to a ftupid, god for nothing blockhead. I know my courfe. This spirit, that I have feen, Enter King, Queen, Polonius, Ophelia, Rofincrantz, Guildenftern, and Lords. A KING. ND can you by no drift of conference Get from him why he puts on this confufion, Rof. He does confess, he feels himself distracted; Guil. Nor do we find him forward to be founded; But with a crafty madness keeps aloof, When we would bring him on to fome confeffion Queen. Did he receive you well? Rof. Moft like a gentleman. Guil. But with much forcing of his difpofition.. Queen. Did you affay him to any paítime? To To hear of it: they are about the court; Po'. 'Tis most true: And he befeech'd me to intreat your Majesties King. With all my heart, and it doth much content me To hear him fo inclin'd. Good gentlemen, give him a further edge, And drive his purpofe into thefe delights. Kin. Sweet Gertrude, leave us too; Queen. I fhall obey you: And for my part, Ophelia, I do wish, That your good beauties be the happy caufe [Exeunt Of Hamlet's wildnefs! So fhall I hope, your virtues To both your honours. Oph. Madam, I wish it may. [Exit Queen. Pol. Ophelia, walk you here.-Gracious, fo please ye, We will beftow ourselves- Read on this book; Your loneliness. We're oft to blame in this, 'Tis too much prov'd, that with devotion's visage, And pious action, we do fugar o'er The devil himself. King. Oh, 'tis too true. How fmart a lafh that speech doth give my confcience! The harlot's cheek, beautied with plaistring art, s not more ugly to the thing that helps it, [Afide. Than |